The decentralization (or de-hallification) of classical music

For generations, the main places to hear contemporary classical music have been the big institutions, primarily at downtown and university concert halls and opera houses, and sometimes in churches and other rather formal settings.

That’s all changing. Young composers today are increasingly finding — or creating — outlets for their music in rock and jazz clubs, coffeehouses, and other alternative venues. That’s bringing their music to listeners who otherwise might never have encountered it. It’s also expanding the range of classical (or contemporary or “postclassical”) music being created today.

Campbell, Brett “In the Indie Classical Lounge”, San Francisco Classical Voice, 3 July 2012.

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By Greg

Australian composer and pianist